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This place is unreal.

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What was the kingdom of Kush?

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Civilization that lived here for almost 3,000 years.

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We don't understand, I would say, most of it.

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Kush goes from being under the thumb of the Egyptians

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to ruling this entire region.

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What's in the third chamber?

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So it should be the king.

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It's completely flooded.

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We've decided to dive it.

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You interested?

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This is like the most dangerous diving that you could do.

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And I'll make it my way through.

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All the dangers of going into an unstable, crumbling room.

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Look at this place.

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Are you kidding me?

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I am nervous. That's not true. I'm scared.

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Dive team is topside. You only got 5 minutes left.

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I think I can see the slabs.

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What is that?

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Wait, what is this?

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Okay, pop quiz.

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Name a country that was once ruled by pharaohs,

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has a capital on the Nile,

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and is home to more pyramids than any other.

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Well, if you said Egypt, then you are absolutely wrong.

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The answer is their southern neighborhood.

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Modern day Sudan,

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which was once home to the kingdom of Kush.

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A mysterious civilization so powerful,

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that it once conquered the ancient Egyptians.

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For centuries, the pyramids and cities of the Kushites

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were buried beneath the sands of the Sahara.

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Once they were rediscovered in the early 20th century,

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archaeologists unearthed glittering treasures

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that rivaled those of King Tut.

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But they wrongly attributed the Kushites' accomplishments

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to the neighboring Egyptians.

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And before history could be corrected,

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many of those early finds were swallowed up by the elements.

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Now, a new generation of scientists

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is attempting to learn the real history of the kingdom of Kush.

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At a holy site deep in the desert,

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explorers are unlocking the secrets of the ancient lands

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of the Kushites.

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And at an ancient burial ground,

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a daring archaeologist is attempting something

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that many would call insane.

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Beneath the crumbling ruins of a Kushite pyramid,

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he's planning to dive into the pitch black flooded tomb of a king,

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seeking remains of his long lost mummy.

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And I've been invited to join him.

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This is the story of the king of Kushites.

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This is, by far, the most dangerous expedition

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I've ever considered, but also the most exciting.

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A chance to perhaps discover a Kush king in his pyramid,

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something that has never been documented before.

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So join me on a quest to a real-world Wakanda,

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and the greatest empire that you maybe have never heard of.

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It's time to hunt for the treasures and the truth

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behind the kingdom of Kush.

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My name is Josh Gates.

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Hello!

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Explorer.

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Here goes nothing.

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Adventurer.

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Woo-hoo-hoo!

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Oh, that's a long way down.

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And a guy who ends up in some very strange situations.

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I'm alive for now.

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With a degree in archaeology and a passion for the unexplained,

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I travel to the ends of the earth,

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investigating the greatest legends in history.

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Ready to rock and roll.

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This is Expedition Unknown.

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Music

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I begin my investigation into the ancient and mysterious

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kingdom of Kush in the capital of modern Sudan.

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Khartoum.

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To us in the West, the name has an almost mythic quality,

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like some fabled African city

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or maybe something out of the Arabian Nights.

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But in reality, this place is not an ancient treasure.

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In fact, relatively speaking, Khartoum is, well, kind of new.

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Established only 200 years ago, this is a bustling town.

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The beating heart of a country which, after years of fierce fighting

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and political upheaval, seemed to be changing for the better.

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Hopes were high when a brutal civil war that devastated the country

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ended in 2011.

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And in just the last few years, Sudan has had a revolution,

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tossed out an Islamic dictator,

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and is no longer designated a U.S. state sponsor of terrorism.

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So that's a good thing.

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But sadly, Sudan has once again been rocked by violence,

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as rival military factions battle for control.

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The fighting began only weeks after my crew and I left the country.

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What you're seeing are some of the last quiet moments

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Khartoum would have for some time.

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But while modern Sudan tries to build a peaceful future,

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I'm here to delve into its past.

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Right here, smack dab in the middle of Khartoum

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is one of the world's great geologic features.

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On my left is the white Nile,

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which has been flowing north all the way from East Africa.

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On my right, the blue Nile,

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which flows here from Lake Tana in Ethiopia.

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And this is the spot where they meet.

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It's called the Confluence,

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and together they form the Nile.

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It's considered the longest river in the world,

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and it's the life-giving force that made ancient Egypt's success possible.

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But they weren't the river's only beneficiary.

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Directly south of modern Egypt,

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Sudan and South Sudan occupy over a million square miles

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and take up nearly 10% of the African continent.

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Thousands of years ago, this was the land referred to as Nubia,

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a vast area that gave rise to the Kushites,

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who flourished between here and Egypt's southern border.

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The earliest references to people in this region

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are found in Egyptian hieroglyphs,

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thousands of years old,

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where they are portrayed as warriors

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and wrestlers.

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Cartoon Stadium.

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Within its walls, a crowd has gathered to watch an ancient art,

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part fight,

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part ritual,

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part dance,

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and full contact.

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The Nile is now back.

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Weekly matches here draw huge crowds, including my new friend, Biggie.

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This is very old, this tradition, yes?

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Yes, and it goes back to the ancient Nubian kingdom.

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All the way back, and has it changed much?

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Yes, back in the days, they used to wrestle naked.

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Fully naked?

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Fully naked, okay.

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You want to wrestle?

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Do I want to wrestle?

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Yes.

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You look like a big guy, man.

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I am a big guy.

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I know a few people that come.

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Oh, you can get me a ring?

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Yeah.

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Unfortunately, I only wrestle naked.

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I'm a traditionalist.

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We get my ways.

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I like to do it the old way.

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I like that.

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Thank you.

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Thank you.

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The matches end in the light of the setting sun.

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This modern tradition echoes the ancient Kushites,

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who were clearly proud warriors.

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But how did they take on a force as formidable as ancient Egypt?

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I grabbed some shut-eye while I can,

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because tomorrow I'm embarking on a major expedition

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to find out.

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Good morning.

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It is dawn here in Khartoum,

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and we are getting ready to load out.

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We've got a fleet of 4x4s, a big equipment truck,

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and we are going to be heading deep into the desert,

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going back in time to the ancient kingdom of Kush.

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All right, boys, how are we doing?

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We're about to embark on a drive through Saharan Africa's

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most unforgiving terrain, to the once massive city known as Kerma.

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Okay, let's roll.

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I pull out ahead of the convoy and out of Khartoum.

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Well, out there is the Nubian Desert,

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part of the larger Sahara that stretches nearly 4 million

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square miles from Western Africa all the way to the Red Sea.

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It is vast, it is beautiful,

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and it is not the place that you want to run at a gas.

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I have three-quarters of a tank, though, so we should be fine.

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Probably.

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Most likely.

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It takes about eight hours to traverse nearly 400 miles of desert

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to the mysterious place where the kingdom of Kush got its start.

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I arrive at Kerma.

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At first glance, the landscape looks empty.

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But from above, a complicated pattern comes into view.

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Joining me to explain what all of this once was

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is archaeologist and former director of Sudan's Department of Antiquities,

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Abdel Rahman Ali.

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Josh, welcome to Kerma, the first great city of the kingdom of Kush.

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When is all of this built?

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2500 BC.

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Wow, so this is an old city?

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Yeah, at that time, it was the largest city in Africa.

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This was the largest city on the continent?

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Yes, of course.

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Wow.

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In every direction, a blueprint to the past,

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the ghostly foundations of hundreds of structures.

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5,000 years ago, this was an advanced society.

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This is like when they're building the pyramids in Egypt, yeah?

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Yes, at that time, they are building the great pyramids in Egypt.

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And in Sudan, they are building this.

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Wow.

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At the time, it was the largest structure in the sub-Saharan Africa.

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Wow, incredible.

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This mud brick temple, known as the Dufufa, stands 65 feet tall

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and was once honeycombed with an intricate network of chambers and corridors.

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Wow.

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And I have to say this building is so impressive.

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It is so impressive that the famous American archaeologist George Reisner

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came here in the 19th century.

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He was convinced that it was built by the Egyptians.

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Harvard-trained American archaeologist George Reisner

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is considered the father of Sudanese archaeology.

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From 1916 to 1923, Reisner was the first to unearth

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almost every significant location in Kushite history.

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His legacy, however, is more than a little complicated.

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For one thing, he robbed the country blind,

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shipping all of the best finds out of Sudan to Boston's Museum of Fine Arts.

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And also, he got a lot wrong.

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Reisner thought this is so sophisticated, this temple is so huge,

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could not have been built by the people of Kush.

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Yes, of course.

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Because you came with the colonial perception of the early archaeologists.

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This is obviously a really successful, powerful civilization.

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So what's making Kush so wealthy?

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Mineral resources.

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When you say mineral resources, what do you mean?

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Gold.

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Gold.

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Because most of the Egyptian gold came from Kush.

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This is incredible because when we think of ancient Egypt,

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we think of gold.

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We think about, you know, these glittering death masks.

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But you're telling me most of that's not Egyptian.

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Most of the gold of ancient Egypt came from Kush.

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And if there's one thing we know about resources like gold,

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it's that many people want them.

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Egypt and the Kingdom of Kush view each other as both trading partner

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and military rival.

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The relationship officially turns toxic in 1500 BC,

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when the new Kingdom Egyptian pharaoh, Tuttmose I, invades Kush territory.

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The result?

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Mighty Kerma is burned to the ground.

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Once the Egyptians have a foothold here, how long do they stay?

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The Egyptians, they stay for about 500 years.

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Oh, they really stay?

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With Kerma raised, Egypt controls the Kingdom of Kush and all its resources.

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The Kushites become completely Egyptianized,

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adopting their neighbor's religion and traditions.

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But after five centuries, something unexpected happens.

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The Egyptians dealing with political turmoil at home, withdraw.

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So what ends up happening?

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After the Egyptians withdraw, the Kush Kingdom re-established.

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And became a superpower.

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It is a remarkable turn of the historical tide,

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the once subjugated Kushites even the score and successfully invade Egypt.

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But instead of exacting revenge,

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five successive Kush kings rule as the pharaohs of the 25th dynasty,

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bringing about a renaissance in classic Egyptian arts and architecture

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and rejuvenating Egyptian culture.

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To find out how they pulled it off,

261
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I need to leave Kerma and drive to the second center of Kush power,

262
00:14:16,000 --> 00:14:18,000
a place known as Nuri.

263
00:14:18,000 --> 00:14:22,000
The road from Kerma to Nuri will take us further south,

264
00:14:22,000 --> 00:14:26,000
following the course of the Nile and deeper into the lands of Kush.

265
00:14:26,000 --> 00:14:31,000
The trip takes me southeast into an even emptier expanse of the Sahara,

266
00:14:31,000 --> 00:14:33,000
if that's even possible.

267
00:14:34,000 --> 00:14:38,000
Finally, from behind the dunes, I see it.

268
00:14:43,000 --> 00:14:47,000
Not a mirage, but almost as unbelievable.

269
00:14:48,000 --> 00:14:50,000
Whoa.

270
00:14:54,000 --> 00:14:56,000
This majestic city is Nuri,

271
00:14:56,000 --> 00:14:59,000
the great necropolis of the Mesihara.

272
00:14:59,000 --> 00:15:03,000
The great necropolis of the mysterious kingdom of Kush.

273
00:15:03,000 --> 00:15:06,000
Here, in the sands of modern Sudan,

274
00:15:06,000 --> 00:15:10,000
rows of grand pyramids loom over a desolate landscape.

275
00:15:13,000 --> 00:15:15,000
To learn the secrets of the Kushites,

276
00:15:15,000 --> 00:15:20,000
one archaeologist has been making headlines with his daring first-of-its-kind investigation

277
00:15:20,000 --> 00:15:23,000
underneath one of these pyramids.

278
00:15:23,000 --> 00:15:27,000
And I'm getting unprecedented access to his site,

279
00:15:27,000 --> 00:15:31,000
which is why I'm so excited to meet Pierce Paul Kreisman.

280
00:15:31,000 --> 00:15:33,000
I'm guessing you're Pierce Paul.

281
00:15:33,000 --> 00:15:34,000
Josh?

282
00:15:34,000 --> 00:15:36,000
You're going to have to give me a minute,

283
00:15:36,000 --> 00:15:38,000
because I actually am kind of in a state of shock.

284
00:15:38,000 --> 00:15:42,000
This is just a mind-blowing collection of ancient structures.

285
00:15:42,000 --> 00:15:44,000
It's awe-inspiring to be here at Nuri.

286
00:15:44,000 --> 00:15:49,000
So here we're at the home of about two dozen kings of the second kingdom of Kush.

287
00:15:49,000 --> 00:15:52,000
I think if you blindfolded a lot of people and showed them this,

288
00:15:52,000 --> 00:15:54,000
they'd say, oh, I must be in Egypt.

289
00:15:54,000 --> 00:15:57,000
So a little known fact, there are more pyramids in Sudan than Egypt.

290
00:15:57,000 --> 00:15:58,000
How many pyramids in Sudan total?

291
00:15:58,000 --> 00:15:59,000
Hundreds.

292
00:15:59,000 --> 00:16:01,000
At this site alone, there were probably 80.

293
00:16:01,000 --> 00:16:03,000
80 pyramids in one site?

294
00:16:03,000 --> 00:16:09,000
For comparison, in all of ancient Egypt, we know of only 118 pyramids.

295
00:16:09,000 --> 00:16:13,000
So in this respect, the Kush beat the Egyptians again.

296
00:16:13,000 --> 00:16:19,000
Among the pyramids of Nuri is this one, the first pyramid built at this site.

297
00:16:19,000 --> 00:16:20,000
Big pyramid over there.

298
00:16:20,000 --> 00:16:23,000
So the big pyramid, the largest pyramid in Sudan.

299
00:16:23,000 --> 00:16:25,000
This is the pyramid of Teharka.

300
00:16:25,000 --> 00:16:31,000
King Teharka is the most celebrated of the five Kushite kings who rule over Egypt.

301
00:16:31,000 --> 00:16:37,000
He reigns over a time of great prosperity and controls as much territory, if not more,

302
00:16:37,000 --> 00:16:39,000
than of any Egyptian pharaoh ever.

303
00:16:39,000 --> 00:16:42,000
He even gets a shout-out in the Old Testament.

304
00:16:42,000 --> 00:16:45,000
Teharka is a major player in the story of Kush.

305
00:16:45,000 --> 00:16:48,000
Why does he choose to build a pyramid here?

306
00:16:48,000 --> 00:16:49,000
We have no idea.

307
00:16:49,000 --> 00:16:51,000
And that's part of why we're here.

308
00:16:51,000 --> 00:16:56,000
We're trying to start addressing some of these questions because they're really important to understanding the people.

309
00:16:56,000 --> 00:16:59,000
They use this place for centuries.

310
00:16:59,000 --> 00:17:07,000
After Teharka, and clearly because of his stature, nearly 20 future kings will erect their pyramids here as well.

311
00:17:07,000 --> 00:17:10,000
And what are the biggest mysteries about the Kingdom of Kush?

312
00:17:10,000 --> 00:17:13,000
We don't understand, I would say, most of it.

313
00:17:13,000 --> 00:17:15,000
It's in part because of where it is.

314
00:17:15,000 --> 00:17:21,000
It's in a part of the world that has been less accessible to Western scholars at least for a very, very long time.

315
00:17:21,000 --> 00:17:22,000
Yeah.

316
00:17:23,000 --> 00:17:28,000
Like at Kerma, George Reisner was the first Western archaeologist to explore Nuri.

317
00:17:28,000 --> 00:17:31,000
And again, he underestimated the Kushites.

318
00:17:31,000 --> 00:17:37,000
As he excavated his way through the Necropolis, Reisner credited these pyramids to the Egyptians.

319
00:17:37,000 --> 00:17:39,000
Were there any of these pyramids he didn't get into?

320
00:17:39,000 --> 00:17:44,000
They didn't get into more than a dozen parts of these pyramids, including one entirely.

321
00:17:44,000 --> 00:17:45,000
Wow.

322
00:17:45,000 --> 00:17:50,000
And so we know that at this site, for a variety of reasons, no one's worked at it for 100 years.

323
00:17:50,000 --> 00:17:53,000
For us intellectually, that's a gold mine.

324
00:17:53,000 --> 00:17:54,000
Yeah.

325
00:17:54,000 --> 00:17:56,000
It might also be an actual gold mine.

326
00:17:56,000 --> 00:18:02,000
Since several chambers of these pyramids have never been entered, it's anyone's guess what's inside.

327
00:18:02,000 --> 00:18:07,000
So easy peasy, right? You just walk into the pyramids and get a whole bunch of knowledge.

328
00:18:07,000 --> 00:18:09,000
I wish it was that easy.

329
00:18:09,000 --> 00:18:10,000
It's not?

330
00:18:10,000 --> 00:18:11,000
No, it's not.

331
00:18:12,000 --> 00:18:19,000
To see exactly how not easy it is, Pierce Paul brings me over to the tomb that he's targeted for exploration.

332
00:18:19,000 --> 00:18:21,000
Pretty amazing, isn't it?

333
00:18:21,000 --> 00:18:22,000
It's pretty intimidating.

334
00:18:22,000 --> 00:18:28,000
Welcome to the pyramid and tomb of the King Nostasin.

335
00:18:28,000 --> 00:18:33,000
Nostasin was the king of Kush from roughly 335 BC to 310 BC.

336
00:18:33,000 --> 00:18:38,000
During his reign, he was celebrated for having repelled another invasion from Egypt.

337
00:18:38,000 --> 00:18:43,000
And when he died, he became the final Kushite king to be buried at Nuri.

338
00:18:43,000 --> 00:18:47,000
So from the first king to Harka to the last Nostasin.

339
00:18:47,000 --> 00:18:48,000
Yes.

340
00:18:48,000 --> 00:18:51,000
I can't help but notice some very murky looking water there.

341
00:18:51,000 --> 00:18:53,000
I'm guessing that wasn't here 2300 years ago.

342
00:18:53,000 --> 00:18:54,000
It wasn't.

343
00:18:54,000 --> 00:18:58,000
So in the ancient era when they built this, they would have walked down, their feet would have been dry,

344
00:18:58,000 --> 00:19:01,000
they'd have gone into a door and then it would have led to the first chamber,

345
00:19:01,000 --> 00:19:06,000
had another doorway to a second chamber and another doorway to a third chamber.

346
00:19:06,000 --> 00:19:08,000
And the third chamber is where you bury the king.

347
00:19:08,000 --> 00:19:12,000
When Reisner got here to excavate, what were the condition of these three chambers?

348
00:19:12,000 --> 00:19:16,000
So 100 years ago, he showed up and there were bricks in front of the front door.

349
00:19:16,000 --> 00:19:19,000
It was in pretty good shape and then he gets in, excavates the first chamber,

350
00:19:19,000 --> 00:19:23,000
and then sees that the second chamber is just totally and utterly collapsed.

351
00:19:23,000 --> 00:19:24,000
The second chamber is collapsed.

352
00:19:24,000 --> 00:19:27,000
There are thousands of pounds of bedrock just crushed down.

353
00:19:27,000 --> 00:19:30,000
You can't tell that there is a second chamber anymore.

354
00:19:30,000 --> 00:19:34,000
Reisner was understandably wary about trying to clear the rubble.

355
00:19:34,000 --> 00:19:37,000
While excavating in another pyramid here at Nuri,

356
00:19:37,000 --> 00:19:41,000
a collapse on the outer staircase took the lives of five of his crew.

357
00:19:41,000 --> 00:19:46,000
So the fallen ceiling protected Nostasen's tomb in a third chamber from Reisner,

358
00:19:46,000 --> 00:19:49,000
leaving it entirely intact.

359
00:19:49,000 --> 00:19:56,000
This is a big deal because no mummy of a king of Kush has ever been confirmed to be recovered from his own tomb.

360
00:19:56,000 --> 00:20:03,000
And Nostasen could still be in that pyramid, along with untold treasures and gold.

361
00:20:03,000 --> 00:20:09,000
In the past century, though, groundwater from the Nile only a mile away has steadily risen,

362
00:20:09,000 --> 00:20:13,000
and now all three chambers of the pyramid are completely flooded.

363
00:20:13,000 --> 00:20:19,000
See a lot of people back there with hoses and equipment, so tell me what you've been doing here since then.

364
00:20:19,000 --> 00:20:22,000
Okay, so we've decided to dive it.

365
00:20:22,000 --> 00:20:23,000
What's wrong with you?

366
00:20:23,000 --> 00:20:24,000
Lots of things.

367
00:20:24,000 --> 00:20:27,000
I'm so afraid to ask this question. What's the visibility in that water?

368
00:20:27,000 --> 00:20:28,000
Zero.

369
00:20:28,000 --> 00:20:29,000
Nothing?

370
00:20:29,000 --> 00:20:30,000
Nothing.

371
00:20:30,000 --> 00:20:35,000
The instant you go inside, you stir up thousands of years of dust and sediment.

372
00:20:35,000 --> 00:20:38,000
You're literally in the dark, like blindfolded dark down there.

373
00:20:38,000 --> 00:20:44,000
On the list of reasons why diving the tomb is a bad idea, the dark is only the beginning.

374
00:20:44,000 --> 00:20:51,000
There is also the very real possibility of being trapped underwater in a stone room that could collapse at any moment.

375
00:20:51,000 --> 00:20:56,000
And if you're thinking it would be safer to just pump the water out of the tomb, think again.

376
00:20:56,000 --> 00:20:59,000
The water in there is the only thing keeping the walls standing.

377
00:20:59,000 --> 00:21:03,000
But there is one very good reason for Pierce Paul to risk his life.

378
00:21:03,000 --> 00:21:05,000
What's in the third chamber?

379
00:21:05,000 --> 00:21:07,000
So theoretically, it should be the king.

380
00:21:07,000 --> 00:21:12,000
In the middle of the room, there is a giant slab, like a pancake flat piece of rock.

381
00:21:12,000 --> 00:21:13,000
So it's work stone?

382
00:21:13,000 --> 00:21:16,000
It is work stone. There is no question of it.

383
00:21:16,000 --> 00:21:24,000
A slab like this could be one of two things, either a burial platform for a Nostocan's body to be laid out upon,

384
00:21:24,000 --> 00:21:28,000
or the lid of a sarcophagus, inside of which he would be sealed.

385
00:21:28,000 --> 00:21:35,000
But here's the rub. In this time period, kings were known to have been entombed using both methods.

386
00:21:35,000 --> 00:21:39,000
So our first order of business is to try to learn the purpose of the slab.

387
00:21:39,000 --> 00:21:45,000
And if it turns out to be a coffin lid, we have a chance at finding Nostocan himself.

388
00:21:45,000 --> 00:21:49,000
What would it mean to find any piece of this guy?

389
00:21:49,000 --> 00:21:51,000
Intellectually, this would be really powerful.

390
00:21:51,000 --> 00:21:57,000
One of the big issues we run into is that there are very few of these kings who are known from anywhere else outside of this room.

391
00:21:57,000 --> 00:22:02,000
Nostocan is. He's referenced in a couple of other places.

392
00:22:02,000 --> 00:22:04,000
For us, he is an historical anchor.

393
00:22:04,000 --> 00:22:11,000
If we can start with him and start getting pieces of him, for example, to do DNA studies,

394
00:22:11,000 --> 00:22:15,000
we can start to rebuild some of these major pieces from the history here.

395
00:22:15,000 --> 00:22:18,000
Okay. Well, I wish you the best of luck.

396
00:22:18,000 --> 00:22:24,000
You interested? This is no joke. I mean, if you don't have hesitations, you can't come.

397
00:22:24,000 --> 00:22:27,000
Look, believe me, I would love to see what's in there. You think that's possible?

398
00:22:27,000 --> 00:22:29,000
I think it's possible. You bring a suit?

399
00:22:29,000 --> 00:22:32,000
Always. I have a weird job. You never know.

400
00:22:32,000 --> 00:22:33,000
Come meet the team.

401
00:22:33,000 --> 00:22:34,000
Let's do it.

402
00:22:36,000 --> 00:22:40,000
One does not simply dive into the sunken pyramid of Nostocan.

403
00:22:40,000 --> 00:22:44,000
To learn how I'm going to survive one of the most lethal environments on Earth,

404
00:22:44,000 --> 00:22:50,000
Pierce Paul brings me to meet his ace technical team, Justin Schneider, Fred Fiddler, and David Dunn.

405
00:22:50,000 --> 00:22:51,000
What's going on, guys?

406
00:22:51,000 --> 00:22:52,000
Hey there.

407
00:22:52,000 --> 00:22:55,000
I see a lot of hoses, but no scuba tanks.

408
00:22:55,000 --> 00:22:59,000
We don't like tanks inside the tomb. If you bang that big steel or aluminum tank against the walls,

409
00:22:59,000 --> 00:23:02,000
those walls are fragile and it could possibly cause a collapse.

410
00:23:02,000 --> 00:23:04,000
So we like to use the hookah system.

411
00:23:04,000 --> 00:23:07,000
Right. So hookah system, we're talking like surface supplied air.

412
00:23:07,000 --> 00:23:08,000
Correct.

413
00:23:08,000 --> 00:23:09,000
And that air is being pushed down. How?

414
00:23:09,000 --> 00:23:14,000
Honda power generator over here that's enough to supply air for all four of us at a time.

415
00:23:14,000 --> 00:23:17,000
Okay. So if this goes down, what's the contingency? What's the backup?

416
00:23:17,000 --> 00:23:24,000
We have a compressed air canister. That's basically a mini scuba tank with a built on regulator on the top that you're going to breathe from.

417
00:23:24,000 --> 00:23:26,000
Got it. You ready?

418
00:23:26,000 --> 00:23:27,000
No, but...

419
00:23:27,000 --> 00:23:28,000
Are you going to do it anyway?

420
00:23:28,000 --> 00:23:29,000
Yeah.

421
00:23:29,000 --> 00:23:30,000
Then let's get to it.

422
00:23:30,000 --> 00:23:31,000
Let's get to it. Come on.

423
00:23:33,000 --> 00:23:40,000
Now that I know how we're going to pull off the dive, I gear up and have to convince myself to actually do it.

424
00:23:43,000 --> 00:23:44,000
How you feeling?

425
00:23:44,000 --> 00:23:49,000
Yeah. I am stressed, dude. I mean, this is...

426
00:23:51,000 --> 00:23:54,000
This is like the most dangerous diving that you could do.

427
00:23:54,000 --> 00:24:04,000
I think, I mean, it's all the dangers of cave diving with all the dangers of going into an unstable crumbling ruin with no visibility in the dark.

428
00:24:04,000 --> 00:24:08,000
I don't have a scuba tank. All the air is coming from the surface.

429
00:24:08,000 --> 00:24:12,000
All those lines can get tangled and caught. So I am nervous.

430
00:24:12,000 --> 00:24:16,000
That's not true. I'm scared. That's more accurate.

431
00:24:20,000 --> 00:24:26,000
If I was going to think of an excuse to get out of this gig, that time has passed. This is it.

432
00:24:26,000 --> 00:24:33,000
We're about to dive into a flooded pyramid tomb with one mission to meet the Kush King, Nostocin.

433
00:24:43,000 --> 00:24:45,000
Okay, this just got real.

434
00:24:45,000 --> 00:24:48,000
So take your last good look at daylight for a while.

435
00:24:49,000 --> 00:24:57,000
In the deserts of Sudan, I'm about to dive into a sunken, partially collapsed pyramid tomb from the ancient Kushite kingdom.

436
00:24:57,000 --> 00:25:06,000
We're going in today to examine the burial slab of the king Nostocin and determine if it's a solid platform or the lid of a royal sarcophagus.

437
00:25:06,000 --> 00:25:12,000
I'm trying to steady my nerves as I prepare for the single most dangerous dive of my career.

438
00:25:14,000 --> 00:25:19,000
Okay, tell me how this is going to work. I'm assuming at the end of this passage here, there's some sort of entrance.

439
00:25:19,000 --> 00:25:26,000
So you get all the way down here, get down to the wall, drop down onto your knees, and then get down onto your arms because you're going to have to army crawl through the chute.

440
00:25:26,000 --> 00:25:27,000
The chute.

441
00:25:28,000 --> 00:25:42,000
To enter the tomb, we must descend down the now crumbling and flooded staircase and then pass through the chute, a two foot by three foot metal sleeve designed to keep the front door from collapsing while we're inside.

442
00:25:43,000 --> 00:25:48,000
Then it's into the first chamber of the tomb, a large offering room that's easy to get lost in.

443
00:25:48,000 --> 00:25:56,000
To prevent that, the team has placed a guide wire to be our lifeline to the second chamber, which has completely collapsed.

444
00:25:56,000 --> 00:26:08,000
Once at the threshold, one needs to let go of the guideline and swim forward to find a cinder block placed by the team, which leads up to a barely breathable air pocket in which to regroup.

445
00:26:08,000 --> 00:26:17,000
Back at the bottom of the second chamber, another section of guideline leads over to the submerged door to chamber three, the tomb of Nostocin.

446
00:26:17,000 --> 00:26:33,000
In the center is an immense slab of stone that is either Nostocin's burial platform or the lid of his sarcophagus, three rooms that have had as many visitors as the surface of the moon, and each has the potential to be a death trap.

447
00:26:34,000 --> 00:26:36,000
Any words of wisdom for a first timer here?

448
00:26:36,000 --> 00:26:38,000
Don't let go of the light. Don't freak out.

449
00:26:38,000 --> 00:26:40,000
Yep, don't panic.

450
00:26:40,000 --> 00:26:42,000
Let's go dive a tomb.

451
00:26:48,000 --> 00:26:51,000
So, Pierce, you're going in first?

452
00:26:51,000 --> 00:26:55,000
Indeed. On the way.

453
00:26:58,000 --> 00:26:59,000
Okay.

454
00:27:02,000 --> 00:27:09,000
So, as soon as I get in here, my first observation is the visibility is just gone. I can see a shade of light, but that's about it.

455
00:27:09,000 --> 00:27:15,000
Yeah, you can probably see your fingers once I get about six inches from the mask, but not much more than that.

456
00:27:15,000 --> 00:27:17,000
Yeah.

457
00:27:17,000 --> 00:27:20,000
Dive team, this is topside. How copy?

458
00:27:20,000 --> 00:27:24,000
This is Josh. I've written you loud and clear, topside.

459
00:27:24,000 --> 00:27:26,000
Pierce, how copy?

460
00:27:26,000 --> 00:27:28,000
In a firearm. Do I hear you?

461
00:27:28,000 --> 00:27:30,000
Outstanding. All comms good.

462
00:27:30,000 --> 00:27:32,000
Okay, we're headed in.

463
00:27:35,000 --> 00:27:43,000
I'm inches beneath the surface, but already the silt in the water has rendered direction meaningless. My only guide is Pierce Paul's voice.

464
00:27:43,000 --> 00:27:45,000
All right, I'm entering the chute.

465
00:27:45,000 --> 00:27:48,000
I am working for the chute stand by.

466
00:27:48,000 --> 00:27:49,000
All right.

467
00:27:53,000 --> 00:28:03,000
I'm in the chute now. It is tight. I can feel the sides and the ceiling above me. I'm just slowly pulling myself through.

468
00:28:03,000 --> 00:28:10,000
I edge my way forward. I couldn't change my mind now if I wanted to. It's too narrow in here to turn around.

469
00:28:10,000 --> 00:28:16,000
Wow, this is intense. Okay, here we go. Tom, breath.

470
00:28:16,000 --> 00:28:19,000
A few more feet and I feel the tube open up.

471
00:28:19,000 --> 00:28:25,000
I'm at the interior opening of chamber one. I can feel sand in front of me at the end of the chute.

472
00:28:25,000 --> 00:28:30,000
As an experiment, I decide to turn off the light on the side of my helmet.

473
00:28:31,000 --> 00:28:34,000
Oh, it is pitch black.

474
00:28:34,000 --> 00:28:46,000
At this point, I kick my light back on, but I also close my eyes, relying on my fingers to explore the open water in front of me, which is its own form of terrifying.

475
00:28:47,000 --> 00:28:49,000
Find the nylon cable.

476
00:28:49,000 --> 00:28:52,000
Can we pick up to find the cave line?

477
00:28:53,000 --> 00:28:55,000
Hold on. I'm trying to find it.

478
00:28:55,000 --> 00:29:03,000
Miss this line while entering chamber one and your chance of finding chamber two or your way back out are not great.

479
00:29:07,000 --> 00:29:11,000
I have it in my hand. I feel it. I feel the cave guide.

480
00:29:11,000 --> 00:29:18,000
All right, head on in. This chamber is about 15, 20 feet long.

481
00:29:18,000 --> 00:29:30,000
I can reach my arms out on either side of the line, but I'm not feeling anything and nothing above. It's just a big void. It's like I'm floating in space.

482
00:29:30,000 --> 00:29:37,000
This large chamber was once used to house offerings and I'm trying desperately to avoid becoming one of them.

483
00:29:39,000 --> 00:29:41,000
This rope just goes and goes.

484
00:29:41,000 --> 00:29:43,000
How you doing? You still on the line?

485
00:29:43,000 --> 00:29:48,000
Still on the line, but believe me, I'm not letting go of it and I'm making my way through.

486
00:29:48,000 --> 00:29:52,000
Make sure to give yourself a little slack. Pull your hair hose in.

487
00:29:52,000 --> 00:29:53,000
Yep.

488
00:29:53,000 --> 00:29:59,000
I ask my air supply. If the hose gets pulled too tight, it can get yanked from my mask.

489
00:30:01,000 --> 00:30:06,000
The top side, I can feel a little bit of tension on my air supply here. I'll need a little slack.

490
00:30:06,000 --> 00:30:08,000
We'll try to get you some more slack.

491
00:30:08,000 --> 00:30:10,000
Thanks, sir.

492
00:30:14,000 --> 00:30:20,000
Okay, so this is chamber two I think I'm passing into?

493
00:30:20,000 --> 00:30:21,000
Yep.

494
00:30:22,000 --> 00:30:25,000
I cross the threshold into the second chamber.

495
00:30:26,000 --> 00:30:30,000
My hand has reached the sand here. The guideline is going into the sand, it feels like.

496
00:30:30,000 --> 00:30:36,000
Yep, so go another body length in. You'll feel the majorly different temperature to the water.

497
00:30:36,000 --> 00:30:37,000
Got it.

498
00:30:38,000 --> 00:30:47,000
Now, the leap of faith. I release the cable and push forward to touch a block in the sand that will mark the entrance to the air pocket above.

499
00:30:47,000 --> 00:30:54,000
Reaching forward, I'm not feeling anything yet. It's just sand and silt.

500
00:30:54,000 --> 00:30:57,000
Wait, there's something. I got it.

501
00:30:59,000 --> 00:31:02,000
Okay, I'm feeling the cinder block underneath me here.

502
00:31:02,000 --> 00:31:06,000
Once you hit that cinder block, you'll find a little hill.

503
00:31:07,000 --> 00:31:11,000
That hill is the collapse of the second chamber.

504
00:31:11,000 --> 00:31:16,000
And I'm going to make my way uphill into the air pocket.

505
00:31:16,000 --> 00:31:17,000
Excellent.

506
00:31:17,000 --> 00:31:19,000
And I'll meet you in our cathedral here.

507
00:31:19,000 --> 00:31:20,000
Okay.

508
00:31:22,000 --> 00:31:23,000
Coming up.

509
00:31:24,000 --> 00:31:25,000
Alright.

510
00:31:25,000 --> 00:31:26,000
A surfacing.

511
00:31:29,000 --> 00:31:31,000
Oh my word.

512
00:31:33,000 --> 00:31:34,000
Look at this place.

513
00:31:38,000 --> 00:31:39,000
Are you kidding me?

514
00:31:39,000 --> 00:31:41,000
It's pretty intense, right?

515
00:31:41,000 --> 00:31:45,000
Welcome to the collapsed second chamber of Nistassan's tomb.

516
00:31:45,000 --> 00:31:57,000
Inside the flooded pyramid tomb of the Kush King Nistassan is a precious pocket of air, which archaeologist Pierce Paul Kreisman and I are visiting on our way to excavate Nistassan's burial chamber.

517
00:31:57,000 --> 00:31:59,000
Is the air breathable in here?

518
00:31:59,000 --> 00:32:00,000
Yes.

519
00:32:00,000 --> 00:32:01,000
Okay.

520
00:32:01,000 --> 00:32:02,000
Taking this mask off?

521
00:32:05,000 --> 00:32:07,000
Oh my word.

522
00:32:07,000 --> 00:32:09,000
This is absolutely unbelievable.

523
00:32:09,000 --> 00:32:10,000
This is insane.

524
00:32:10,000 --> 00:32:13,000
First of all, this room shouldn't be here, right?

525
00:32:13,000 --> 00:32:14,000
This is not a room.

526
00:32:14,000 --> 00:32:15,000
This is an accident.

527
00:32:15,000 --> 00:32:18,000
We are standing in an air pocket that should not be here.

528
00:32:18,000 --> 00:32:19,000
This is a room.

529
00:32:19,000 --> 00:32:20,000
This is a room.

530
00:32:20,000 --> 00:32:21,000
This is a room.

531
00:32:21,000 --> 00:32:22,000
This is a room.

532
00:32:22,000 --> 00:32:23,000
This is a room.

533
00:32:23,000 --> 00:32:24,000
This is a room.

534
00:32:24,000 --> 00:32:25,000
This is a room.

535
00:32:25,000 --> 00:32:28,000
We are standing in an air pocket that should not exist.

536
00:32:28,000 --> 00:32:29,000
So I'm standing on...

537
00:32:29,000 --> 00:32:30,000
Rubble.

538
00:32:30,000 --> 00:32:31,000
Rubble.

539
00:32:31,000 --> 00:32:32,000
Yes.

540
00:32:32,000 --> 00:32:33,000
And directly above us?

541
00:32:33,000 --> 00:32:34,000
Pyramid.

542
00:32:34,000 --> 00:32:35,000
We're under it?

543
00:32:35,000 --> 00:32:36,000
Yes.

544
00:32:36,000 --> 00:32:37,000
Okay.

545
00:32:37,000 --> 00:32:39,000
Now, it doesn't look overly brittle.

546
00:32:39,000 --> 00:32:41,000
Looks completely deceiving.

547
00:32:44,000 --> 00:32:46,000
Okay, it's totally brittle.

548
00:32:47,000 --> 00:32:50,000
Now, it's this third chamber where this slab is.

549
00:32:50,000 --> 00:32:51,000
That's where from here.

550
00:32:51,000 --> 00:32:53,000
Yeah, so the third chamber is that way.

551
00:32:53,000 --> 00:32:55,000
So we have to answer one big question first.

552
00:32:55,000 --> 00:32:59,000
Is this slab actually sitting on top of some space?

553
00:32:59,000 --> 00:33:03,000
Is this a lid or is it just a big block in the middle of a room?

554
00:33:03,000 --> 00:33:05,000
So it could be either.

555
00:33:05,000 --> 00:33:10,000
If it is hollow, then there's a chance that some part of him might still be here.

556
00:33:10,000 --> 00:33:14,000
Well, anything in there that can tell us who he was about the world he lived in, his family.

557
00:33:14,000 --> 00:33:17,000
That's, I mean, that's adding that knowledge that we need.

558
00:33:17,000 --> 00:33:18,000
Should we go deeper?

559
00:33:18,000 --> 00:33:19,000
I think we should.

560
00:33:19,000 --> 00:33:20,000
Let's do it.

561
00:33:20,000 --> 00:33:21,000
Are you ready?

562
00:33:21,000 --> 00:33:22,000
I'm ready.

563
00:33:22,000 --> 00:33:24,000
I'm going to come this far and I'm going to keep going.

564
00:33:24,000 --> 00:33:25,000
All right.

565
00:33:25,000 --> 00:33:27,000
The Tomb of Nastasin awaits.

566
00:33:27,000 --> 00:33:33,000
Now, it's time to inspect the stone structure in the chamber and see if he's still here.

567
00:33:33,000 --> 00:33:37,000
All right, top side, we're headed down and we are going into chamber three.

568
00:33:37,000 --> 00:33:40,000
Roger, you all are heading into chamber three.

569
00:33:40,000 --> 00:33:41,000
You ready?

570
00:33:41,000 --> 00:33:42,000
Pierce Paul, right behind you.

571
00:33:42,000 --> 00:33:53,000
I plunge back into darkness and find the guideline to follow Pierce Paul down another six feet.

572
00:33:53,000 --> 00:33:58,000
Okay, I'm making my way toward chamber three.

573
00:33:58,000 --> 00:34:04,000
When the cable runs out, put your hands to the left and the right, and you can touch the edges of the doorway.

574
00:34:04,000 --> 00:34:06,000
Just touch them delicately.

575
00:34:06,000 --> 00:34:08,000
Why is that?

576
00:34:08,000 --> 00:34:13,000
The walls in this tomb are not firm and as secure as one would hope.

577
00:34:13,000 --> 00:34:14,000
Got it.

578
00:34:14,000 --> 00:34:16,000
Careful what you grab onto down here.

579
00:34:19,000 --> 00:34:21,000
I've reached the end of the line.

580
00:34:21,000 --> 00:34:24,000
All right, so come towards the light.

581
00:34:24,000 --> 00:34:26,000
Maybe use a different expression.

582
00:34:26,000 --> 00:34:29,000
Okay, coming towards you.

583
00:34:30,000 --> 00:34:38,000
In moments, I'm laying inside the doorway to the tomb of King Nastasin.

584
00:34:42,000 --> 00:34:45,000
I think I can see the slab.

585
00:34:47,000 --> 00:34:50,000
But this view of it will be our last.

586
00:34:50,000 --> 00:34:54,000
That silt just kicks off as soon as we come in.

587
00:34:54,000 --> 00:34:57,000
God, I can't see anything now.

588
00:34:57,000 --> 00:35:00,000
Can't see my hand in front of my face.

589
00:35:03,000 --> 00:35:07,000
What I want you to do is I want you to come around this corner where I am.

590
00:35:07,000 --> 00:35:09,000
Over to the clockwise around it.

591
00:35:09,000 --> 00:35:11,000
Yeah, clockwise around it.

592
00:35:11,000 --> 00:35:16,000
Let me get your left hand and put it down here on the bottom left corner of this slab.

593
00:35:16,000 --> 00:35:18,000
Oh my God.

594
00:35:18,000 --> 00:35:21,000
It just feels smooth as can be.

595
00:35:22,000 --> 00:35:30,000
But as we run our hands over the slab, Pierce Paul notices something has changed since his last visit to the tomb.

596
00:35:30,000 --> 00:35:32,000
Hold on a second.

597
00:35:32,000 --> 00:35:34,000
Give me your hand and feel this.

598
00:35:34,000 --> 00:35:37,000
Is this a crack?

599
00:35:37,000 --> 00:35:39,000
I just don't understand.

600
00:35:39,000 --> 00:35:44,000
It's not just a crack, it feels like the corner itself isn't here.

601
00:35:44,000 --> 00:35:49,000
So if you're a part of this cave in and crack the top of this slab.

602
00:35:49,000 --> 00:35:51,000
That's really what it feels like.

603
00:35:51,000 --> 00:35:53,000
This is disconcerting.

604
00:35:53,000 --> 00:36:01,000
Sometime recently a piece of the ceiling likely collapsed onto the slab with enough force to crack a large section of it off.

605
00:36:01,000 --> 00:36:05,000
On the other hand, we now have an unforeseen opportunity.

606
00:36:05,000 --> 00:36:10,000
Is it possible for you to get your hand under that slab in that cracked area?

607
00:36:10,000 --> 00:36:12,000
Let me check.

608
00:36:12,000 --> 00:36:15,000
Josh, give me your hand. Put your hand under here and feel this.

609
00:36:15,000 --> 00:36:18,000
Hold on. Okay, I'm at the corner of the crack.

610
00:36:18,000 --> 00:36:22,000
Oh my, this goes down. You can go inside of it.

611
00:36:22,000 --> 00:36:30,000
This is a hundred percent hollow. This is not just a platform on the floor. There is open space under this.

612
00:36:30,000 --> 00:36:35,000
Stop the presses. This slab is not a burial platform at all.

613
00:36:35,000 --> 00:36:40,000
It is the lid of a sarcophagus that has remained unopened for thousands of years.

614
00:36:40,000 --> 00:36:42,000
Until now.

615
00:36:42,000 --> 00:36:48,000
The downside? Well, at any moment, this entire tomb is in danger of collapse.

616
00:36:51,000 --> 00:36:57,000
We decide to resurface in the air pocket of chamber two to plan our next steps.

617
00:36:57,000 --> 00:36:59,000
So, that thing's definitely hollow in there.

618
00:36:59,000 --> 00:37:04,000
This is huge. We now know that the slab is the top of a container of some kind.

619
00:37:04,000 --> 00:37:09,000
Yes, you can get your arm in there away. This is definitely material. So, what's the move now?

620
00:37:09,000 --> 00:37:12,000
So, now we need to actually get some of it out of here.

621
00:37:12,000 --> 00:37:17,000
Having reached into what appears to be a sarcophagus, Pierce Paul doesn't want to waste any time.

622
00:37:17,000 --> 00:37:22,000
Excited at the possibilities, he intends to begin excavating immediately.

623
00:37:22,000 --> 00:37:25,000
Fred just went in the water. He's got an empty bucket in hand.

624
00:37:26,000 --> 00:37:34,000
The topside team sends down plastic buckets, which Pierce Paul will fill by hand with silt from inside the sarcophagus.

625
00:37:34,000 --> 00:37:36,000
So, I'm going to fill a bucket?

626
00:37:36,000 --> 00:37:39,000
And how are those buckets getting from here out to daylight?

627
00:37:39,000 --> 00:37:41,000
This is why we need you in the tomb.

628
00:37:41,000 --> 00:37:42,000
We're doing a daisy chain?

629
00:37:42,000 --> 00:37:44,000
We're doing a daisy chain.

630
00:37:44,000 --> 00:37:47,000
We're running an old-fashioned bucket brigade.

631
00:37:47,000 --> 00:37:50,000
You know, just like when you were a kid and you're sunken pyramid back home.

632
00:37:51,000 --> 00:37:54,000
But now I'm in the third chamber.

633
00:37:54,000 --> 00:37:58,000
Okay, I'm on the line. I am in the doorway.

634
00:37:59,000 --> 00:38:03,000
Pierce Paul fills a bucket with silt from the third chamber,

635
00:38:03,000 --> 00:38:07,000
then passes it to me at the threshold of the second chamber.

636
00:38:07,000 --> 00:38:08,000
I'm holding onto the bucket.

637
00:38:08,000 --> 00:38:09,000
Take it away.

638
00:38:09,000 --> 00:38:10,000
Oh, this is heavy.

639
00:38:11,000 --> 00:38:14,000
I ferry it across chamber two to team member Justin,

640
00:38:14,000 --> 00:38:18,000
who carries it to Fred at the entrance to the first chamber.

641
00:38:18,000 --> 00:38:21,000
Then Fred brings the bucket out through the chute,

642
00:38:22,000 --> 00:38:27,000
where it's handed off and rushed to a sifting tent nearby.

643
00:38:28,000 --> 00:38:32,000
There, a team of researchers runs the silt through a screen

644
00:38:32,000 --> 00:38:35,000
to see what archaeological treasures might be inside.

645
00:38:36,000 --> 00:38:37,000
So, there's another bucket?

646
00:38:37,000 --> 00:38:38,000
I have it.

647
00:38:38,000 --> 00:38:39,000
Take away.

648
00:38:39,000 --> 00:38:40,000
Okay.

649
00:38:40,000 --> 00:38:42,000
And then, we do it all over again.

650
00:38:42,000 --> 00:38:47,000
For hours, intense work in the dark with no idea if we're finding anything.

651
00:38:47,000 --> 00:38:50,000
Well, actually, that's not quite true.

652
00:38:50,000 --> 00:38:51,000
Ooh.

653
00:38:51,000 --> 00:38:52,000
Can you find something?

654
00:38:52,000 --> 00:38:53,000
Give me your hand.

655
00:38:53,000 --> 00:38:54,000
I'm holding.

656
00:38:54,000 --> 00:38:55,000
Is that pottery?

657
00:38:55,000 --> 00:38:56,000
That is most of a pot.

658
00:38:56,000 --> 00:38:57,000
Wow.

659
00:38:57,000 --> 00:38:59,000
A 2,500-year-old piece of pottery.

660
00:38:59,000 --> 00:39:00,000
That's amazing.

661
00:39:00,000 --> 00:39:02,000
So, I'm going to put this in the bucket.

662
00:39:02,000 --> 00:39:03,000
Okay.

663
00:39:03,000 --> 00:39:05,000
All right, making my way back to him now.

664
00:39:05,000 --> 00:39:06,000
Okay.

665
00:39:06,000 --> 00:39:07,000
Hand it off.

666
00:39:09,000 --> 00:39:10,000
Special bucket?

667
00:39:10,000 --> 00:39:13,000
The bucket would be the first chamber to be filled.

668
00:39:13,000 --> 00:39:15,000
I'm going to put it in the bucket.

669
00:39:15,000 --> 00:39:16,000
Hand it off.

670
00:39:18,000 --> 00:39:19,000
Special bucket?

671
00:39:19,000 --> 00:39:21,000
The bucket with the pottery heads to the tent.

672
00:39:21,000 --> 00:39:26,000
When we get a reminder that the generator pumping our air has a finite amount of fuel.

673
00:39:26,000 --> 00:39:28,000
Dive team, this is topside.

674
00:39:28,000 --> 00:39:29,000
You only got five minutes left.

675
00:39:29,000 --> 00:39:30,000
All right.

676
00:39:30,000 --> 00:39:31,000
Copy that.

677
00:39:31,000 --> 00:39:32,000
Turn it around.

678
00:39:32,000 --> 00:39:34,000
Heading back out through the chambers.

679
00:39:34,000 --> 00:39:35,000
Okay.

680
00:39:37,000 --> 00:39:39,000
I'm at the end of the line.

681
00:39:39,000 --> 00:39:40,000
I'm getting into the chute.

682
00:39:40,000 --> 00:39:41,000
All right.

683
00:39:41,000 --> 00:39:43,000
Just imagine a way forward.

684
00:39:44,000 --> 00:39:45,000
Okay.

685
00:39:45,000 --> 00:39:47,000
I'm coming out of the chute.

686
00:39:49,000 --> 00:39:51,000
We got bubbles.

687
00:39:56,000 --> 00:39:57,000
All right.

688
00:39:57,000 --> 00:39:58,000
First pulse for the river.

689
00:39:58,000 --> 00:39:59,000
Are we?

690
00:39:59,000 --> 00:40:00,000
I'm in the chute now.

691
00:40:09,000 --> 00:40:10,000
All divers out.

692
00:40:10,000 --> 00:40:11,000
All divers out.

693
00:40:14,000 --> 00:40:15,000
Dude.

694
00:40:15,000 --> 00:40:16,000
Nice.

695
00:40:16,000 --> 00:40:17,000
Unbelievable.

696
00:40:17,000 --> 00:40:18,000
Unbelievable.

697
00:40:18,000 --> 00:40:19,000
That was insane.

698
00:40:19,000 --> 00:40:21,000
Man, seriously, that was crazy.

699
00:40:21,000 --> 00:40:25,000
What an experience to be inside a pyramid.

700
00:40:25,000 --> 00:40:26,000
Under water.

701
00:40:26,000 --> 00:40:28,000
Rinse and repeat a couple hundred times.

702
00:40:28,000 --> 00:40:29,000
You got an excavation.

703
00:40:29,000 --> 00:40:31,000
Let's go see our reward on the other end.

704
00:40:31,000 --> 00:40:33,000
Yeah, see we got those buckets.

705
00:40:35,000 --> 00:40:36,000
Woo.

706
00:40:36,000 --> 00:40:37,000
Crazy.

707
00:40:38,000 --> 00:40:45,000
Pierce, Paul and I immediately head to the sifting tent to see what, if anything, we pulled up in all those buckets.

708
00:40:46,000 --> 00:40:47,000
Okay.

709
00:40:47,000 --> 00:40:48,000
Hello, hello.

710
00:40:48,000 --> 00:40:49,000
Hello, hello.

711
00:40:49,000 --> 00:40:51,000
So this is everything I couldn't see down there.

712
00:40:51,000 --> 00:40:53,000
This is what you could not see.

713
00:40:53,000 --> 00:40:54,000
Okay.

714
00:40:54,000 --> 00:40:56,000
So let's see what it all adds up to.

715
00:40:56,000 --> 00:40:57,000
Look what we got coming out here.

716
00:40:57,000 --> 00:40:58,000
Right away.

717
00:40:58,000 --> 00:40:59,000
Gold.

718
00:40:59,000 --> 00:41:00,000
Look at that.

719
00:41:00,000 --> 00:41:01,000
And here.

720
00:41:01,000 --> 00:41:02,000
That's gold.

721
00:41:02,000 --> 00:41:03,000
Man.

722
00:41:03,000 --> 00:41:05,000
Are you kidding me?

723
00:41:05,000 --> 00:41:06,000
That's astounding.

724
00:41:06,000 --> 00:41:07,000
Look at that.

725
00:41:14,000 --> 00:41:15,000
Oh, oh.

726
00:41:15,000 --> 00:41:16,000
Man.

727
00:41:16,000 --> 00:41:18,000
So what you can see here is it's all wrapped over itself.

728
00:41:18,000 --> 00:41:19,000
That's astounding.

729
00:41:19,000 --> 00:41:21,000
Look at that.

730
00:41:21,000 --> 00:41:32,000
My first dive into the flooded tomb of King Nostasen revealed a cracked sarcophagus lid that could lead to the first remains of a Kush king ever found in his own tomb.

731
00:41:33,000 --> 00:41:38,000
But as we learn in the dig sifting tent, it also revealed gold.

732
00:41:38,000 --> 00:41:46,000
This may be commonplace for you, but just the fact that we've gone into this tomb once and we're coming out and there's gold in this too.

733
00:41:46,000 --> 00:41:51,000
I just, and it shines as gold does just like it did thousands of years ago.

734
00:41:51,000 --> 00:41:57,000
At one time, this thin gold foil likely covered everything in these chambers.

735
00:41:57,000 --> 00:42:01,000
Pottery, offerings, even the huge slab in the tomb.

736
00:42:01,000 --> 00:42:06,000
In fact, the entire room may have been literally covered in gold.

737
00:42:06,000 --> 00:42:10,000
Pounds of it that will be recovered one flake at a time.

738
00:42:10,000 --> 00:42:11,000
Okay.

739
00:42:11,000 --> 00:42:12,000
Very carefully bringing this back to you.

740
00:42:12,000 --> 00:42:14,000
Look what we got coming out here.

741
00:42:14,000 --> 00:42:17,000
I felt you hand this to me and I was like, what is this?

742
00:42:17,000 --> 00:42:18,000
Incredible.

743
00:42:18,000 --> 00:42:20,000
This kind of thing makes Tracy's day.

744
00:42:20,000 --> 00:42:21,000
It does.

745
00:42:21,000 --> 00:42:23,000
This is my version of gold.

746
00:42:23,000 --> 00:42:24,000
Yes.

747
00:42:24,000 --> 00:42:28,000
This is more than 2000 year old pottery from Nostasen's tomb.

748
00:42:28,000 --> 00:42:35,000
It likely held an offering that Nostasen would have used in his afterlife, making it literally fit for a king.

749
00:42:35,000 --> 00:42:40,000
And just to think that's been sitting down there in complete darkness for thousands of years.

750
00:42:40,000 --> 00:42:41,000
Beautiful.

751
00:42:41,000 --> 00:42:42,000
Absolutely.

752
00:42:42,000 --> 00:42:45,000
This is the part of archaeology you don't see.

753
00:42:45,000 --> 00:42:49,000
The real work, the hard, meticulous, slow work.

754
00:42:49,000 --> 00:42:54,000
The sifting team will spend hours working through the buckets from our first dive.

755
00:42:54,000 --> 00:43:02,000
But the most important takeaway from today is the confirmation that the large stone slab inside the tomb is a sarcophagus lid.

756
00:43:03,000 --> 00:43:13,000
To help figure out how we're going to attack this new development and see if we can maybe even move the slab, I need to actually see the chamber.

757
00:43:16,000 --> 00:43:20,000
So my first dive into Nostasen's tomb was thrilling.

758
00:43:20,000 --> 00:43:21,000
It was terrifying.

759
00:43:21,000 --> 00:43:23,000
And frankly, it was confusing.

760
00:43:23,000 --> 00:43:28,000
That's because with no visibility, my mental picture of this place is jumbled.

761
00:43:28,000 --> 00:43:32,000
It's less of an architectural blueprint and more of a Picasso.

762
00:43:32,000 --> 00:43:36,000
So to fix that, I'm going to seek out a tomb that has a similar layout.

763
00:43:36,000 --> 00:43:45,000
And to find one, we're traveling about 250 miles south to a place known as Meroway, which was the third and final of the great cities of Kush.

764
00:43:50,000 --> 00:43:55,000
Near the entrance to the city, I meet the site's lead archaeologist, Mahmood Bashir.

765
00:43:55,000 --> 00:43:56,000
Mahmood.

766
00:43:56,000 --> 00:43:57,000
Hello.

767
00:43:57,000 --> 00:43:58,000
Hello.

768
00:43:58,000 --> 00:43:59,000
I'm Josh. Nice to meet you.

769
00:43:59,000 --> 00:44:00,000
Nice to meet you.

770
00:44:00,000 --> 00:44:01,000
Welcome to Meroway.

771
00:44:01,000 --> 00:44:02,000
Thank you very much.

772
00:44:02,000 --> 00:44:03,000
Where is Meroway?

773
00:44:03,000 --> 00:44:04,000
I see a lot of dunes.

774
00:44:04,000 --> 00:44:06,000
It's such a big site behind the mountains.

775
00:44:06,000 --> 00:44:07,000
We drive?

776
00:44:07,000 --> 00:44:09,000
No, vehicles are not allowed inside.

777
00:44:09,000 --> 00:44:10,000
I know another way.

778
00:44:10,000 --> 00:44:11,000
Another way?

779
00:44:11,000 --> 00:44:12,000
Yeah.

780
00:44:12,000 --> 00:44:13,000
Okay.

781
00:44:13,000 --> 00:44:14,000
That's for you.

782
00:44:14,000 --> 00:44:15,000
Another way.

783
00:44:20,000 --> 00:44:21,000
Camels.

784
00:44:21,000 --> 00:44:23,000
Why did it have to be camels?

785
00:44:23,000 --> 00:44:29,000
Long time viewers of Expedition Unknown will remember how little I enjoy the company of camels.

786
00:44:29,000 --> 00:44:33,000
In fairness, he hasn't bit, spit, or thrown me yet.

787
00:44:33,000 --> 00:44:36,000
Yet, I'm watching you.

788
00:44:38,000 --> 00:44:41,000
Our caravan crosses an empty expanse of desert.

789
00:44:41,000 --> 00:44:45,000
But then, I notice something ahead on the horizon.

790
00:44:49,000 --> 00:44:50,000
Josh, this is Meroway.

791
00:44:50,000 --> 00:44:51,000
Incredible.

792
00:44:53,000 --> 00:44:55,000
It's a beautiful place.

793
00:44:55,000 --> 00:44:57,000
It's a beautiful place.

794
00:44:57,000 --> 00:44:59,000
It's a beautiful place.

795
00:44:59,000 --> 00:45:01,000
It's a beautiful place.

796
00:45:01,000 --> 00:45:03,000
It's a beautiful place.

797
00:45:03,000 --> 00:45:06,000
Meroway is pure, uncut, pharmaceutical grade.

798
00:45:06,000 --> 00:45:07,000
Wow.

799
00:45:07,000 --> 00:45:13,000
I savor the ride through one of the most stunning sites I have ever beheld.

800
00:45:13,000 --> 00:45:18,000
It is the biggest collection of pyramids in the world.

801
00:45:18,000 --> 00:45:19,000
Okay, Josh.

802
00:45:19,000 --> 00:45:20,000
We are here.

803
00:45:20,000 --> 00:45:21,000
Okay, Josh.

804
00:45:21,000 --> 00:45:22,000
We are here.

805
00:45:29,000 --> 00:45:31,000
This place is unreal.

806
00:45:31,000 --> 00:45:32,000
You know, it's like a fantasy.

807
00:45:32,000 --> 00:45:37,000
You've got pyramids trapped in the dunes and like no tourists anywhere.

808
00:45:37,000 --> 00:45:39,000
Yes, you feel very alone here.

809
00:45:39,000 --> 00:45:44,000
But this place should be crawling with visitors because this is as impressive as the pyramids at Giza.

810
00:45:44,000 --> 00:45:45,000
Yes, or more.

811
00:45:45,000 --> 00:45:46,000
You're right.

812
00:45:46,000 --> 00:45:48,000
We're not completely alone.

813
00:45:48,000 --> 00:45:49,000
Who are these guys?

814
00:45:49,000 --> 00:45:50,000
Those are my team.

815
00:45:50,000 --> 00:45:53,000
They are reopening one of the pyramids.

816
00:45:53,000 --> 00:45:54,000
Oh, wow.

817
00:45:54,000 --> 00:46:01,000
The tomb being reopened is that of the Kush king, Ar-Khalamani, who ruled 100 years or so after Nistasen.

818
00:46:01,000 --> 00:46:02,000
Can we have a look?

819
00:46:02,000 --> 00:46:03,000
Yes.

820
00:46:03,000 --> 00:46:13,000
This tomb shares a common layout with Nistasens, which means what I learned here should help me navigate my next dive beneath the pyramid.

821
00:46:14,000 --> 00:46:19,000
So we would be underwater here, and at Nuri, this door is not this big.

822
00:46:19,000 --> 00:46:22,000
So we swim through a very small opening right here.

823
00:46:22,000 --> 00:46:27,000
So we come through the chute and we come into chamber one.

824
00:46:27,000 --> 00:46:28,000
It's huge.

825
00:46:28,000 --> 00:46:36,000
In Nistasen's tomb, this room is completely flooded, and there's a guide wire, a cave wire that goes all the way to the door to chamber two.

826
00:46:36,000 --> 00:46:42,000
And when you hold on to that line and you reach out, you don't feel anything.

827
00:46:42,000 --> 00:46:44,000
You let go of this cave line.

828
00:46:44,000 --> 00:46:46,000
You're just lost in this room.

829
00:46:46,000 --> 00:46:49,000
This gives me a real spatial awareness of that room.

830
00:46:49,000 --> 00:46:51,000
So it's good that we don't have this wire here.

831
00:46:51,000 --> 00:46:52,000
Yes.

832
00:46:52,000 --> 00:46:55,000
Here we don't need it because we're thankfully not underwater.

833
00:46:55,000 --> 00:46:59,000
I follow an imaginary guide wire into the second chamber.

834
00:46:59,000 --> 00:47:04,000
One notable improvement over its Nuri counterpart, we're not standing on the ceiling.

835
00:47:04,000 --> 00:47:09,000
Several posts have been constructed to keep it over our heads where it belongs.

836
00:47:09,000 --> 00:47:14,000
Without the benefit of structural supports like these, Nistasen's second chamber collapsed,

837
00:47:14,000 --> 00:47:17,000
which is kind of interesting considering how many support poles we see here.

838
00:47:17,000 --> 00:47:18,000
Exactly.

839
00:47:18,000 --> 00:47:19,000
You were worried about the same thing.

840
00:47:19,000 --> 00:47:20,000
Exactly.

841
00:47:20,000 --> 00:47:21,000
Yeah.

842
00:47:21,000 --> 00:47:28,000
But then Mahmood brings me back into the pyramid's third chamber and the tomb of King Arhalamani.

843
00:47:28,000 --> 00:47:30,000
Welcome to chamber three.

844
00:47:30,000 --> 00:47:33,000
Wow, this is beautiful.

845
00:47:33,000 --> 00:47:35,000
Look at this.

846
00:47:35,000 --> 00:47:40,000
So we have this incredibly ornate platform here.

847
00:47:40,000 --> 00:47:41,000
And the kink.

848
00:47:41,000 --> 00:47:42,000
This is our king who's very here.

849
00:47:42,000 --> 00:47:43,000
This is our king, yes.

850
00:47:43,000 --> 00:47:49,000
I don't know if this makes sense, but this room looks like chamber three feels over at Nuri, if that makes sense.

851
00:47:49,000 --> 00:47:50,000
Yes.

852
00:47:50,000 --> 00:47:54,000
So in this type of a burial, the body would be placed on the bench.

853
00:47:54,000 --> 00:47:55,000
On the bench, yes.

854
00:47:55,000 --> 00:48:01,000
One of the things that's really interesting is that this is effectively a solid piece.

855
00:48:01,000 --> 00:48:06,000
This design feels very much like what's in the third chamber in Nistasen's burial,

856
00:48:06,000 --> 00:48:09,000
but we've determined there that in fact it's two pieces.

857
00:48:09,000 --> 00:48:13,000
It's a lid sitting on top of some sort of container.

858
00:48:13,000 --> 00:48:19,000
But seeing how big this is in person, I don't think there's going to be any way we can move this thing.

859
00:48:19,000 --> 00:48:23,000
There is a crack in it, so we may have to just go under it.

860
00:48:23,000 --> 00:48:24,000
This is so helpful.

861
00:48:24,000 --> 00:48:27,000
This really is like X-ray vision.

862
00:48:27,000 --> 00:48:30,000
Should we get out of here before chamber two collapses?

863
00:48:30,000 --> 00:48:32,000
Seriously though, let's go.

864
00:48:42,000 --> 00:48:46,000
The next morning, I hop into my four by four for the journey back to Nuri.

865
00:48:49,000 --> 00:48:55,000
Now that I have a clear mental picture of the sunken tomb, I'm ready to dive back in.

866
00:48:56,000 --> 00:49:01,000
At the site, I find Pierce Paul already preparing for today's mission.

867
00:49:02,000 --> 00:49:04,000
How do we want this setting? Breatheable or not?

868
00:49:04,000 --> 00:49:05,000
I think breathable.

869
00:49:05,000 --> 00:49:06,000
Okay.

870
00:49:06,000 --> 00:49:07,000
Breatheable?

871
00:49:07,000 --> 00:49:08,000
Breatheable.

872
00:49:08,000 --> 00:49:10,000
Yeah, exactly. Just work on that. It's good.

873
00:49:13,000 --> 00:49:15,000
What's with the convoy?

874
00:49:19,000 --> 00:49:20,000
That's the ambassador.

875
00:49:21,000 --> 00:49:22,000
The what?

876
00:49:22,000 --> 00:49:24,000
The US ambassador to Sudan.

877
00:49:24,000 --> 00:49:25,000
Wait, what?

878
00:49:25,000 --> 00:49:26,000
Yeah.

879
00:49:30,000 --> 00:49:36,000
If you've ever wondered what it would be like if every item on Amazon was available in one physical place,

880
00:49:36,000 --> 00:49:38,000
may I recommend an African market?

881
00:49:40,000 --> 00:49:43,000
If you can't find it here, odds are you don't need it.

882
00:49:43,000 --> 00:49:44,000
What do we use this for?

883
00:49:44,000 --> 00:49:45,000
This is for cigarettes.

884
00:49:45,000 --> 00:49:46,000
Oh, this is an ashtray.

885
00:49:46,000 --> 00:49:47,000
Right. Beautiful.

886
00:49:47,000 --> 00:49:49,000
I am trying to scale back on smoking.

887
00:49:49,000 --> 00:49:54,000
Is this what happens when you die Easter eggs?

888
00:49:54,000 --> 00:49:56,000
Are they feeding them skittles?

889
00:49:56,000 --> 00:49:58,000
Peeps are real.

890
00:49:58,000 --> 00:50:01,000
Peeps are made out of real chickens.

891
00:50:01,000 --> 00:50:03,000
Taste the rainbow.

892
00:50:09,000 --> 00:50:15,000
I'm preparing to make my second dive under the burial pyramid of the Kush King, Nostocin.

893
00:50:15,000 --> 00:50:21,000
And it turns out archaeologist Pierce Paul Kreisman has invited a special guest to the dig today.

894
00:50:21,000 --> 00:50:22,000
That's the ambassador.

895
00:50:22,000 --> 00:50:23,000
Wait, what?

896
00:50:23,000 --> 00:50:24,000
Yeah.

897
00:50:24,000 --> 00:50:29,000
The United States ambassador to the Republic of Sudan, John T. Godfrey.

898
00:50:29,000 --> 00:50:30,000
Good morning.

899
00:50:30,000 --> 00:50:31,000
Good morning.

900
00:50:31,000 --> 00:50:32,000
How are you?

901
00:50:32,000 --> 00:50:39,000
Mr. Godfrey is a hardcore foreign service vet who has been stationed in Libya, Iraq, Saudi Arabia, and now Sudan.

902
00:50:39,000 --> 00:50:44,000
He also happens to be the State Department's acting coordinator of counterterrorism.

903
00:50:44,000 --> 00:50:49,000
Accompanying the ambassador is his regional security officer, Ryan Renewart.

904
00:50:49,000 --> 00:50:51,000
Well, this place is full of surprises.

905
00:50:51,000 --> 00:50:54,000
I was not expecting to meet a U.S. ambassador today.

906
00:50:54,000 --> 00:50:56,000
What are you doing up this way?

907
00:50:56,000 --> 00:51:01,000
I'm here to check in on a $500,000 grant for community engagement conservation.

908
00:51:01,000 --> 00:51:07,000
And it is designed to help support efforts to preserve culture and history and places around the world.

909
00:51:07,000 --> 00:51:13,000
And here in Sudan, we're particularly focused on trying to help efforts to preserve remnants of the Kush civilization,

910
00:51:13,000 --> 00:51:16,000
which you all are here working on as well.

911
00:51:16,000 --> 00:51:20,000
And so we're really delighted to have a chance to come and spend a little bit of time with you here today.

912
00:51:20,000 --> 00:51:21,000
Thank you.

913
00:51:21,000 --> 00:51:26,000
Yeah, and I should warn you that I've learned firsthand that Pierce Paul will put you to work if you stay too long.

914
00:51:26,000 --> 00:51:28,000
So you've been given fair warning.

915
00:51:28,000 --> 00:51:30,000
We're happy to serve.

916
00:51:30,000 --> 00:51:31,000
Ambassador after you.

917
00:51:31,000 --> 00:51:32,000
Thank you.

918
00:51:32,000 --> 00:51:35,000
Something I never thought I'd say.

919
00:51:35,000 --> 00:51:40,000
Security officer Ryan is an experienced diver, so he'll be joining us in the tomb.

920
00:51:40,000 --> 00:51:44,000
The ambassador, ever the public servant, is eager to help as well,

921
00:51:44,000 --> 00:51:49,000
gamely volunteering to haul heavy, waterlogged buckets up to the sifting tent.

922
00:51:49,000 --> 00:51:52,000
Our mission on day two is simple.

923
00:51:52,000 --> 00:51:56,000
Excavate Nostasen's burial chamber, collect samples from his sarcophagus,

924
00:51:56,000 --> 00:52:00,000
and hopefully find some remains of a king.

925
00:52:00,000 --> 00:52:03,000
All right, gents, are we ready?

926
00:52:03,000 --> 00:52:05,000
Ready as we're going to be.

927
00:52:10,000 --> 00:52:12,000
Good hunting down there.

928
00:52:18,000 --> 00:52:24,000
Now that I've been to Maroway, my mental picture of the tomb is strong enough for me to orient myself.

929
00:52:24,000 --> 00:52:29,000
Still, in zero visibility, it's hard to stay that way.

930
00:52:29,000 --> 00:52:33,000
I feel metal, so this is the edge of the chute.

931
00:52:33,000 --> 00:52:38,000
I can feel that I'm in the chute now, and I'll make it my way through.

932
00:52:40,000 --> 00:52:43,000
Dive team, this is Dave. How's the water?

933
00:52:43,000 --> 00:52:48,000
I don't know, I'm just a murky, zero visibility, but it's a nice day at the beach.

934
00:52:48,000 --> 00:52:51,000
Yeah, pretty much black out in here.

935
00:52:51,000 --> 00:52:56,000
Okay, I am into the first chamber, looking for the guide wire now.

936
00:52:59,000 --> 00:53:03,000
Okay, going through, making my way to the second chamber.

937
00:53:04,000 --> 00:53:10,000
I carefully enter the collapsed second chamber of Nistasen's tomb.

938
00:53:10,000 --> 00:53:14,000
Somewhere ahead of me is a partially submerged block,

939
00:53:14,000 --> 00:53:19,000
marking the area I'll need to swim to reach the safety of an air pocket.

940
00:53:19,000 --> 00:53:24,000
To find it, I'm going to have to release the guide cable and take that leap of faith.

941
00:53:26,000 --> 00:53:29,000
Okay, I'm letting go.

942
00:53:29,000 --> 00:53:32,000
Moving forward.

943
00:53:34,000 --> 00:53:38,000
I am not feeling that block this time.

944
00:53:41,000 --> 00:53:46,000
That block is gone. I'm going to turn around and try to re-acquire the line.

945
00:53:50,000 --> 00:53:53,000
I'm off the line. I'm on the way out here in chamber two.

946
00:53:53,000 --> 00:53:56,000
Alright, Josh, can you repeat that you're off the line?

947
00:53:56,000 --> 00:53:59,000
I'm off the line in chamber two.

948
00:53:59,000 --> 00:54:02,000
I should be in front of you, but I cannot feel it.

949
00:54:02,000 --> 00:54:04,000
Josh is off the line. Repeat.

950
00:54:04,000 --> 00:54:08,000
I can't get my bearings. Okay, just don't panic.

951
00:54:08,000 --> 00:54:10,000
Start looking for the line. You've got to find the line.

952
00:54:10,000 --> 00:54:12,000
He's off the line.

953
00:54:12,000 --> 00:54:17,000
So he doesn't have any kind of tactile reference, so he has no idea where he is in the tomb.

954
00:54:17,000 --> 00:54:21,000
I can't see a f***ing thing. Guys, I need some help here.

955
00:54:21,000 --> 00:54:36,000
Get ready for adventure because expedition unknown is back.

956
00:54:36,000 --> 00:54:41,000
And this season, we're not just investigating the world's greatest mysteries.

957
00:54:41,000 --> 00:54:43,000
This is an endless game.

958
00:54:43,000 --> 00:54:45,000
We're solving them.

959
00:54:45,000 --> 00:54:47,000
Unbelievable.

960
00:54:47,000 --> 00:54:51,000
From a treacherous hunt for a pirate that ends in treasure

961
00:54:51,000 --> 00:54:53,000
Wow, right there. That's a coin.

962
00:54:53,000 --> 00:54:54,000
That's a beauty.

963
00:54:54,000 --> 00:54:59,000
to a historic quest across the Holy Land that unearfs a biblical bombshell.

964
00:54:59,000 --> 00:55:03,000
This is the first time the world has seen this in 1400 years.

965
00:55:03,000 --> 00:55:07,000
We're diving deep to find sunken relics from World War II

966
00:55:07,000 --> 00:55:10,000
What is it? Amazing.

967
00:55:10,000 --> 00:55:12,000
and braving the wilderness.

968
00:55:12,000 --> 00:55:14,000
Back up, back up, back up.

969
00:55:14,000 --> 00:55:17,000
A long lost temple will be found.

970
00:55:17,000 --> 00:55:19,000
We have an inscription.

971
00:55:19,000 --> 00:55:24,000
And inside a collapsing pyramid, a headline making fine.

972
00:55:24,000 --> 00:55:26,000
Wait, what is this?

973
00:55:26,000 --> 00:55:30,000
It's all part of an all new season of Expedition Unknown.